Troj has long been inspired by Japanese art and culture – traditional and contemporary – evident in the strange characters and icons which populate her landscapes alongside nude renaissance figures. It would be straightforward to assimilate Troj’s work with some sort of allegory. However, the artist is open in expressing the danger in utilizing this as a tool that is often too culture specific. Instead by breaking up classical motifs, Iva Troj introduces parallel stories in a postmodern shift, binding the inescapably contemporary with revived histories.
“My grandmother used to talk about ”Wabi-sabi”. I asked her what it was and she told me a story about a lion tamer. Beauty is ”imperfect, impermanent, and incomplete” she said. I am not sure how I came to find the clues to Japanese culture. She never talked about China or Japan, “intimacy”, or appreciation of the ”ingenuous integrity of natural objects”. That was not how she spoke. Instead of using fancy words she showed me things and explained their beauty to me. Her house and her garden were full of evidence of beautiful imperfection.”